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edward.maurath

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

HWV26A1 - Se il mar promette calma - G Major

edward.maurath

4:08	Est. Play Time
65	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
Viola	22	0	7	3	97%
Violino 1	23	0	6	7	97%
Violino 2	24	0	7	6	97%
Double Bass Continuo	22	0	7	3	95%
Violoncello Continuo	23	0	7	3	95%
Bass as Clodomiro	17	0	6	8	75%
Bassoon Continuo	23	0	7	4	75%

HWV19A1N0 - Hò perduto il caro sposo

edward.maurath

6:39	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
Cembalo Continuo	17	38	7	6	94%
	22	11	5	6	99%
Violoncello Continuo	19	0	5	6	99%
Violini 1	19	0	5	7	85%
Contebass Continuo	17	0	5	6	83%
Viola	16	0	5	6	83%
Violini 2	15	0	3	7	83%
Soprano as Rodelinda	17	0	7	8	68%

HWV19A1N0 - Hò perduto il caro sposo

edward.maurath

3:45	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
Cembalo Continuo	17	38	7	6	95%
	22	11	5	6	99%
Violoncello Continuo	19	0	5	6	99%
Violini 1	19	0	5	7	85%
Contebass Continuo	17	0	5	6	84%
Viola	16	0	5	6	84%
Violini 2	15	0	3	7	84%
Soprano as Rodelinda	17	0	7	8	72%

HWV26A3N11 - Alza il Ciel pianta orgogliosa - d minor

edward.maurath

5:31	Est. Play Time
100	Measures
	1,239Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	8	6	90%
	27	40	9	6	99%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	8	6	90%
	27	40	9	6	99%
Bassoon Continuo	26	0	8	6	99%
Violin	31	0	12	6	68%
Violoncello Continuo	23	0	7	5	68%
Violone	23	0	7	5	68%
Bass as Clodomiro	17	0	5	8	63%
Oboe	24	0	7	5	41%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
Violas	17	0	5	6	72%
Vln 2	23	0	6	6	72%
Harpsi	17	15	3	7	71%
	20	16	3	4	61%
Israelite Woman	16	0	4	9	70%
Celli	20	0	4	5	59%
Kontrebaß	20	0	4	5	59%
Trumpet	10	0	1	8	51%
Organ with out pedals (Continuo)	16	12	5	5	22%
	15	8	3	3	22%

"Then free from sorrow" from "Samson," HWV 57, (1741)

edward.maurath

3:09	Est. Play Time
63	Measures
	1,039Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
Harp Continuo	17	53	4	4	89%
	18	15	1	4	90%
Violoncello Continuo	17	0	1	4	90%
Violini 1	16	0	2	7	67%
Violini 2	17	0	3	8	67%
Contrabassi Continuo	15	0	1	4	59%
Violoncelli Continuo	15	0	1	4	59%
Philistine woman	14	0	3	5	56%

Handel - HWV 61, Overture in e minor

edward.maurath

6:09	Est. Play Time
70	Measures
	2,097Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
Vln 2	29	0	11	10	96%
VLN 3	20	2	6	9	91%
Harpsi	19	44	4	8	51%
	25	14	9	9	87%
Cello	23	0	8	9	87%
Kontrebaß	23	0	8	9	87%
OBO 1	22	1	8	10	83%
OBO 2	22	1	8	10	83%
Bassoon	23	0	8	9	79%
Organ	15	21	2	8	38%
	17	8	2	7	29%

HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"

edward.maurath

6:49	Est. Play Time
97	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
	28	68	10	8	84%
Harpsichord	20	48	6	8	84%
	27	51	9	8	84%
Cesare	15	0	6	8	71%
Bassoon	14	7	0	7	60%
Continuo	22	0	6	5	55%
Vln 1	16	0	4	8	37%
Celli	16	0	2	5	35%
Kontrebaß	16	0	2	5	35%
Vln 2	13	0	0	6	32%
Violas	10	0	0	7	29%

"Risonar mi sento al core" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

3:10	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
Violoncello (Continuo)	22	0	7	10	100%
Basso as Tirenio	15	0	4	7	71%
Contrabassi (Continuo)	18	0	5	7	58%
Violini	20	0	4	8	58%
Violoncelli (Continuo)	19	0	5	7	58%

"Tu la mia stella sei" from HWV 17, Giulio Cesare, 1724

edward.maurath

7:42	Est. Play Time
92	Measures
	1,250Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	37	7	6	95%
	21	36	7	6	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	37	7	6	95%
	21	36	7	6	95%
Harp Continuo	21	38	7	6	95%
	21	36	7	6	95%
Violoncello Continuo	19	0	5	6	95%
Cleopatra	17	0	6	9	83%
Violini	25	28	6	8	82%
Contrabassi Continuo	17	0	3	6	75%
Violoncelli Continuo	17	0	3	6	75%

BWV245N13 - Ach mein Sinn

edward.maurath

7:30	Est. Play Time
91	Measures
	2,153Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	20	65	7	7	98%
	27	1	10	7	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	20	65	7	7	98%
	27	1	10	7	100%
Bassoon Continuo	27	0	10	7	100%
Violoncello Continuo	27	0	10	7	100%
Oboe	18	0	6	8	99%
	23	0	9	8	99%
Flute	23	0	9	8	99%
Viole	17	0	5	7	99%
Violini 1	23	0	9	8	99%
Violini 2	18	0	6	8	99%
Cembalo Continuo	24	89	10	8	97%
	27	2	10	7	98%
Tenore Solo	18	0	7	8	75%
Contra- bassoon Continuo	22	0	6	7	22%
Contrabasso Continuo	18	0	5	7	22%

"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)

edward.maurath

0:01	Est. Play Time
98	Measures
	1,841Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
Violoncello (Continuo)	18	0	3	8	100%
Soprano as Almirena	13	0	2	11	77%
Violoncelli (Continuo)	17	0	2	7	76%
Contrabassi (Continuo)	16	0	1	7	75%
Violin	17	0	2	8	75%